Curated by Hilton Als and Peter Doig

  • Tony Just

1969 Born Maryland, USA
1994 Hunter College, Master of Fine Arts in Painting
Lives and works in New York


SOLO EXHIBITIONS

2009
“Lost and Found,” Sommer & Kohl, Berlin

2008
“Paris Syndrome,” Galerie Maisonneuve, Paris
“The Purest and the Dirtiest,” Gavin Brown’s enterprise, New York

2007
Gavin Brown’s enterprise, New York

2004
Gavin Brown’s enterprise, New York

2003
Elizabeth Peyton and Tony Just, New Works on Paper, Orient Historical Society, Orient, New York


GROUP EXHIBITIONS

2009
“Cave Painting” curated by Bob Nickas, PSM Gallery, Berlin
“Be My Wife,” Ausstellung Volkspark Rehberge

2007
“Painting as Fact – Fact as Fiction,” de Pury & Luxembourg, Zurich, organized by Bob Nickas

2006
“The Name of the Show Is Not ‘Gay Art Now’,” curated by Jack Pierson, Paul Kasmin Gallery, New York

2005
Greater New York 2005, PS1, Long Island City, New York
“Walls ‘N Things,” Nicole Klagsbrun, New York

2004
“North Fork/South Fork,” Parrish Art Museum, Southampton, New York
“Never Never Landscape,” curated by Kirsty Bell, Atle Gerhardsen, Berlin

2003
“Still or Sparkling,” John Connelly Presents, New York
“Group Show,” Grant Selwyn Fine Art, Los Angeles

2000
“21st Century Group Show,” Gavin Brown’s enterprise, New York

1999
“The Village Disco,” Cabinet Gallery, London
“Formulas for Revelation”, curated by Michelle Maccarone and Leslie Alexander, the Rotunda Gallery, New York

1998
“Yellow,” his apartment, New York curated by Luke Dowd

1997
“The New God,” Andrea Rosen Gallery, New York, curated by John Connelly

1995
“Either/ Or,” Flamingo East, New York, curated by Kenny Shachter

1994
“On Paper,” Sculpture Center, New York, curated by Peter Hristoff and Marian Griffiths
“Bobily Functions,” University of North Carolina, Chapel Hill
Thesis Exhibition, Hunter College, New York

1993
“Chamber 1”, New York
“Six Americans,” Johnson County Art Center, Iowa City, Iowa

1992
BFA Show, School of the Art Institute of Chicago

1991
“Revelations,” Gallery 2, Chicago, catalogue with an essay by James Elkins